Garbage In, Garbage Out — How to get effective advertising from your agency.

July 6, 2009

by John Furgurson

Took a load to the local dump the other day. As I hucked yard debris and unwanted consumer goods out the back of the truck, I got to thinking about waste in advertising.

There are mountains of it, even in this age of informed metrics and marketing ROI.

As an agency copywriter I spent months — years even — working on poorly defined assignments and campaigns that went nowhere. More often than not, we simply didn’t have anything insightful to go on. It wasn’t a lack of creative juice… we always had lots of good ideas. The problem was lack of direction.

After a few rounds of constructive criticism and outright rejection, we either had to come up with a strategic nugget of our own, or continue throwing conceptual darts, hoping something would stick. Not a good arrangement, for either party.

So here’s some insider’s advice on how to work efficiently with your ad agency. It’s not rocket science. If you want the creative product to be effectively memorable, you’ll need to do your part.  Most importantly, you should provide concise strategic input and stay actively involved in the planning phase of the advertising process.

Because it really is a case of garbage in, garbage out. And there’s already too much garbage out there. 

yorba_linda_landfillAvoid the landfill with a good Creative Brief.

Every agency has its own version of the Creative Brief. Creative teams rely almost entirely on this document, so the only way you can be sure your ads will be on target is to agree on the strategy mapped out in the brief.

Jon Steele, Account Planner, account planner on “Got Milk,” says a good creative brief should accomplish three things:

“First, it should give the creative team a realistic view of what their advertising needs to, and is likely to, achieve.

Second, it should provide a clear understanding of the people who the advertising must address.

And finally, it needs to give clear direction on the message to which the target audience seems most likely to be susceptible.”

In a nutshell, he says the creative brief “is the bridge between smart strategic thinking and great advertising.”

Unfortunately, smart strategic thinking is often lacking in the small-agency environment. Agencies pay lip service to it, just like they pay lip service to doing “breakthrough creative.” In reality, most small agencies simply don’t think things through very well before the creative teams begin working.

Perfectly natural considering the creative product is their only deliverable. Everyone wants to get to the good stuff, ASAP.

Sergio Zyman, former CMO with Coke-a-Cola, says “ strategies provide the gravitational pull that keeps you from popping off in all different directions.” Likewise, the creative brief is the strategic roadmap that keeps all your agency people — the researchers, creatives, media planners, programmers and AEs —  heading in the same direction.

Drafting a truly insightful brief is both a creative and a strategic exercise. Andrew Cracknell, Former Executive Creative Director at Bates UK, says “planners take the first leap in imagination.”

Steele says the brief should not only inform the creative team, but inspire them. Instead of just listing the problems that the creative team will face, a great brief offers solutions. In the case of “Got Milk”, the brief said ditch the “good for you” strategy and focus instead on deprivation… what happens when you’re out of milk. The creative team took it from there.

So if you’re a client, insist on staying involved until the creative brief is absolutely nailed down. Then sign off on it, and set the creative team free, in the right direction.

Then, when they present the creative product, you can judge not on subjective terms, but on one simple objective question: Does it follow the brief in a memorable way?

Don’t overwhelm them with data.

Advertising people don’t look at business as an MBA would. And as a general rule, they hate forms. So don’t expect your creative team to glean much inspiration from sales reports and spread sheets. And don’t assume they understand the fundamental metrics of your industry.

You need to have your elevator pitch and your essential marketing challenges nailed down in layman’s terms. As Zyman said, “If you want to establish a clear image in the mind of the consumer, you first have to have a clear image in your own mind.”

Do a presentation for the agency… present your version of the facts, and then engage them in dialog. It’ll force you to focus on strategic thinking and it can generate tremendous team energy. But don’t be surprised if they question your most fundamental assumptions. That’s what they do.

Remember, advertising people are specialists.

Don’t expect your agency team to grasp all the nuances of your business. Even though agencies often claim to immerse themselves in your business, all they really care about are creative forms of communication. “What are we going to say, and how are we going to say it.” 

If you want someone who understands balance sheets and stock option restructuring, hire a consulting firm.

It’s unfortunate that so many ads are nothing but garbage. But if you have your act together from a strategic branding standpoint, and stick to the process, a good agency can be a tremendous asset. It’s a classic win-win arrangement: They can win awards, and you can win business.

 

Next time… more specifics on the details of what goes into a creative brief.

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A branding lesson from Camp Wannalogo.

June 26, 2009

by John Furgurson

Roll up the sleeping bag. Pack the bug spray and the spf 30. It’s time for camp… an annual summer ritual, for parents and kids alike.

Summer-Camps-HomeEvery year, when I part with my kids for two weeks, the memories come flooding back. Like the lyrics of my favorite old campfire song…

There’s a hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s log in the hole in the bottom of the sea. There’s log in the hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s a knot on the log in the hole in the bottom of the sea. There’s a knot on the log in the hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s a frog on the knot on the log in the hole in the bottom of the sea. There’s a frog on the knot on the log in the hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s a wart on the frog on the knot on the log in the hole in the bottom of the sea. There’s a wart on the frog on the knot on the log in the hole in the bottom of the sea.

There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s a hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea. There’s a hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

There’s a germ on the hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea. There’s a germ on the hair on the wart on the frog on the knot on the log in the hole in the bottom of the sea. There’s a hole, there’s a hole, there’s a hole in the bottom of the sea.

What’s that silly old song have to do with branding?

The germ on the hair on the wart on the frog is your logo. Its just one, eentsy part of a much bigger branding effort.

Don’t let any graphic designer tell you differently.

I love great design work. I’ve been collaborating with designers and art directors my entire career, and it’s often fun and rewarding work. But a new mark does not constitute a “branding effort.”

Many design firms and branding companies go to great lengths to deliver a new mark and type treatment. They’ll do research that proves you need a new logo, and they’ll devise extravagant reasoning for their graphic solution. But that’s as far as it goes.  All the other components of branding — the bigger issues —  are left to the client to handle. 

From a broader, business perspective, logo design is but a speck on the pimple of that frog.  So if you’re a designer designing logos, do your thing. By all means. Just don’t sell it as something more than it really is.

And if you’re a client, don’t kid yourself. That expensive new logo isn’t going to make up for mediocrity in other departments, like customer service. It’s not going to plug the gaping hole in your operations or compensate for a crummy, me-too product.

Actions speak louder than logos. It’s what you do as a company, and what you believe in, that make a brand. Not just how your logo looks reversed out of a dark background.


Is your brand message too generic?

June 12, 2009

by John Furgurson 

Golf is one of those categories where differentiation is difficult. Clubheads are as big as they’re going to get, and every brand promises the same thing… Longer, straighter drives.  High technology.  And distance above all else.

This headline from an ad for Cobra Drivers sum it up: “Scientifically engineered for insanely long, straight drives.”

Sounds insanely generic to me.  Why pay $50,000 to convey a message that applies to the entire category? You could literally insert the photo of any driver  and no one would know the difference.  Seems like a high price to pay for invisibility. 

Apparently, even golf shoes can help us hit it farther these days. Get a load of these two he-man headlines from a recent Addidas campaign:

“Lock and load… 14 weapons in your bag. Two on your feet.”

“Not a shoe, a piece of artillery.”

The brand managers at Adidas are assuming that high tech features and a Rambo tone will sell shoes just as well as drivers. But as Spike Lee once said, “Is it the shoes? Is it the shoes? Is it the shoes?” 

I think not.

Here’s what the copy says in one of those shoe ads: “Three distinct power geometry zones in the outsole for maximum energy transfer during the load phase, impact and finish.”

Here’s what consumers will say: “Yeah, but are they comfortable?  Do they have them in my size?  How much?”  Those are things relevant to Joe sixpack. 

This is a category that takes itself quite seriously, indeed. In that environment, humor can be a refreshing and effective way to differentiate your brand. Titlest did it with John Cleese for the NXT Tour golf ball.  FootJoy pulled if off brilliantly with their Sign Boy campaign. It’s harder to do in print, however.

Mizuno pulled it off with a series of magazine ads poking fun at the almost obsessive loyalty of their customers.  These are guys who love their clubs so much they buy an extra seat on the plane rather than checking their bags. They’re the fanatics who rehearse the golf swing while waiting in line, and consider their forged irons an unfair advantage that borders on sinful.  The ads were purposely, humorously, exaggerated, but they captured the authentic passion for the brand that no competitor could claim.

mizunoMp57-extend-500x509-1Those ads would absolutely not work for any other club company. I don’t play Mizuno irons, but I aspire to.  And those ads spoke to me. With a wink and a nod, Mizuno confirmed what I already thought… that their forged irons are for smart, accomplished players who know something the rest of the golf world doesn’t know.

see all of Mizuno’s ads here: http://www.mizunousa.com/news.nsf/golf?OpenForm 

Sad to say, Mizuno recently dumped that campaign and started running ads that lack the market wisdom, the emotional connection and the brand personality of the old ads. In fact, the new ads are generic enough to speak for any forged iron on the market.

Successful branding involves a high degree of differentiation. It’s about having something different to say, and saying things differently.  But the message also needs to be relevant. Otherwise, different doesn’t work so well.

Adidas has a unique new shoe line and an ad campaign that’s different.  I’m just not sure their message is relevant for the category.

Mizuno-MX700-DriverMizuno has a unique story to tell and unprecedented brand loyalty, but they’re running a message that’s generic.

Before you ever approve a new ad campaign for your brand, try this: Take the ads and insert the name of your competitor.  Then ask yourself, objectively, does the message still work?  If it does, you should seriously consider starting over.

You may just need a new concept from your agency or a new creative brief.  Or you might need to devise a strategic approach that deviates from the generic, industry spiel like “Scientifically engineered for insanely long, straight drives.”

Worst case, it’ll force you to look closely at the product itself.  Mizuo and Adidas both have great products that are inherently different than the competition. It shouldn’t be that hard to come up with an ad campaign that communicates the product’s differences and the brand personality in a relevant manner.

 

If you want more branding insight, subscribe to my rss feed by clicking on the link at the top left of this site.  Or e-mail me directly: JohnF@BNBranding.com


The heart of personal branding.

May 28, 2009

by John Furgurson.

Personal branding is a hot topic these days.  Seems a lot of people are rethinking their options, reevaluating their skill sets and reinventing themselves completely.

An advertising executive goes back to school and turns to teaching. A mid-level manager becomes a business owner. An accomplished professional becomes a resort-course caddy. The transitions are dramatic.

Career paths don’t follow the comfortable, upward path of our fathers. They zig and zag all over the place, often rising radically for a period of time, only to plateau, fall, and rise again. It’s the natural order of things, really. Much more natural than the old, corporate model of life-long employment.

re-imaginebkIn “Re-Imagine,” Tom Peters says the average career will encompass two or three “occupations” and a half dozen or more employers. A job for life is being replaced by a gig for now. Instead of working your way up the ladder you have to leap your way across changing terrain.

It’s a free-agent nation and Tom Peters is a good role model.

When Peters wrote his first book he was toiling away in a small, west coast office of the world’s largest consulting firm. His peers didn’t think the project would amount to anything. In fact, they laughed when Peters suggested he keep the royalties on sales over 50,000 copies.

It sold more than six million copies and established Peters as a rock-star among management gurus. Since then, he’s published a dozen books and transformed himself into a multi-million dollar brand. His fee for a keynote speech: $80,000.

 Peters has made millions with his speaking engagements, consulting jobs and publishing contracts. He could retire, or rest on his laurels. Instead, he’s reinventing himself yet again as a blogger.

In a recent interview with Seth Godin, Peters said, “No single thing, in the last 15 years, has been more important, professionally, than blogging. It has changed my perspective, it has changed my intellectual outlook, it’s changed my emotional outlook, it has changed my life.”

For Peters, blogging is much more than just another marketing tool. It’s a new skill that helps keep him sharp, and his personal brand relevant. I like Peters because he’s a bit of a rebel. He’s not afraid to call a spade a spade, he loves branding, he’s a great communicator, and he appreciates the power of good design. Our brands are strikingly similar.

 I used to think if I just kept reinventing myself I’d get it right someday. Obviously, I was missing the point. It’s not the outcome that counts, it’s the process of reinvention that bears fruit. There is no right or wrong in the process of reinvention.  As long as you’re learning and growing, it’s all good.

 The chapter on branding in  “ReImagine” is a must-read… “Branding is not about marketing tricks,” Peters said, “it’s about answering a few simple (and impossible) questions…

 Who are you?

Why are you here?

How are you unique?

How can you make a dramatic difference”

Bottom line: “Branding is ultimately about nothing more (and nothing less) than Heart.”

Whether it’s a giant corporation or your own personal brand, if it doesn’t have heart, it’s not going to be a successful brand.

Southwest Airlines has heart, and it’s demonstrated dramatically on every flight.

Bono has heart, and it comes through in his music.

What is the heart of your personal brand, and how can you demonstrate that in your work? That’s the crux of personal branding.  If you can define what you’re passionate about and then demonstrate that passion on a regular basis, you’ll have a successful personal brand. 

And no matter how many times you reinvent yourself, the heart of your brand will still be true.